Saltburn Pier (Watercolour)

The Gallery in Masham is mounting an exhibition entitled The Edge of the World which opens with a preview on July 20th. The exhibition's title is taken from a remarkable film set on a remote Scottish island: The Edge of the World. (More about the film below).

Looking From The Yorkshire Border (Mixed Media)
Middlesmoor (Watercolour)

The exhibition will feature by some terrific artists: Catherine Sutcliffe-Fuller, Heather Gatt, Pamela Knight, Winifred Hodge, Gareth Buxton, Lesley Birch and myself.
 
The concept of "the edge" can mean so many things. The more I thought about it the more I realised that I would have to make some careful choices in exploring the subject. In the end I painted a serious of works which relate to the theme in different ways.
 
Two pictures: Looking From the Yorkshire Border and Saltburn Pier take Yorkshire as my world and show the views looking from the pass which leads from Cumbria into Swaledale and, far to the East, the end of Yorkshire where Saltburn pier dips its toes in the water.

Lindisfarne (Watercolour)
Lindisfarne (Screen Print)

The images of Lindisfarne and Bamburgh refer both to life on the edge of England but also to where the worlds of the Celtic saints and the Vikings first met. Middlesmoor Church is on a hill, high at the head of Nidderdale, standing in an ancient sacred place where, in the Dark Ages, the edge of earth met the edge of heaven.

Skye from Sanna (Screen Print)

Skye from Sanna and The Lightouse, Ardnamurchan are both paintings from Ardnamurchan in Argyllshire, the most westerly part of the British mainland. Here a long finger of land reaches out, over the isle of Mull, towards the Hebrides. It’s the edge of Scotland and it feels like the edge of another world.
 

Bamburgh (Watercolour)
 
The Edge of the World is at:
The Gallery, 24, Market Place, Masham,  North Yorkshire. HG4 4EB
www.mashamgallery.co.uk
 
There is a preview on July 20th at 7.30 pm. Come and join us for a glass of wine if you can.

The exhibition runs from  21st July to 31st August
The Gallery opening hours are:
Tuesday - Saturday 10am - 5pm
Sunday 1pm - 5pm
Monday - Closed

I first came to Avebury in 1965 on a school trip. Although I can’t say my time at Slough Grammar School comprised the happiest days of my life, my alma mater was very good at showing us places that mattered. I remember the feeling of the place was magical, like sunshine after rain, and I felt, in a way that I have come to feel in other special places, that I belonged there.

Avebury is a vast stone cirlce containing two small stone circles enclosed by a huge circular bank and ditch. Across the neighbouring fields the remains of stone avenues lead toward the centre. On the neighbouring hills evidence exists of other stone circles. This is often interpreted as a ritual landscape designed for a specific function: to be the stage for a coming-of-age ceremony for our ancestors. (To read more about this I recommend The Avebury Circle by Michael Dames. To order CLICK HERE)

The most extraordinary thing about Avebury is that in the middle of all this is a village – a village with a guilty past. Most of the stones survived well into the seventeenth century until they were brought to academic attention by historian John Aubrey. William Stukeley made the first accurate survey of the stones in the mid-eighteenth century but had to observe his study being destroyed before his eyes as local villagers broke up most of the stones for building material. It seems unbelievable that such a great human achievement which had stood, untouched for 4,500 years was virtually obliterated in about twenty years.

Three of my heroes, Paul Nash, John Piper and Barbara Hepworth were inspired by Avebury and the shapes of the stones went on to become recurring images in their work. 

I have really, really wanted to make a great painting of Avebury for many years and I have failed repeatedly. However recently I’ve got closer to my goal by taking a deliberate step away from reality by working in print. Screen printing forces you to take a simpler approach and the result has been that my stones are becoming more abstracted until I found I had pared everything back to what I loved about them – their incredibly beautiful shapes. Here are a few of the resulting images. Most of these were created for The Bluestone Gallery in Devizes, Wiltshire, which is very close to Avebury. To visit their very nice website CLICK HERE.

The Gallery in Masham, North Yorkshire which is the main outlet for my work, has a lovely new website. To pay a visit CLICK HERE.

There are still some places on the course I'm teaching at Artison about A Contemporary Approach to Watercolour.  Friday 18th May 10 am - 4 pm
Watercolour frequently suffers from an undeserved reputation as a pale, washed out medium. Contemporary watercolour artists, however, are exploring vibrant new ways of creating results rich in colour and texture and this course looks at some easy ways to take these ideas into your work.
To book a place CLICK HERE

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